

Created in collaboration with Jixin Zheng and exhibited at the 80WSE Gallery (NYU Steinhardt Senior Show, 2023), Different Paths, The Same End. is a physical installation, bilingual print publication, and interactive web exhibition (paths.katudio.com (opens in new tab)) that examines the human impact of China's zero-COVID policy.
During the policy's enforcement, municipal health authorities routinely published the granular, hour-by-hour travel logs of positive cases in local news outlets—exposing private daily routines (grocery runs, transit transfers, late-night shifts) to public scrutiny before every log converged on the same mandatory outcome: centralized quarantine.
To materialize this tension between institutional surveillance and ordinary life, we researched published epidemiological logs across eight Chinese cities and constructed annotated cartographic prints mounted behind suspended physical magnifying lenses—inviting gallery visitors to peer into strangers' movements the same way internet bystanders scrutinized published case trajectories. Alongside the maps, we authored and typeset bilingual narratives (Chinese and English) reconstructing the ordinary days that preceded the shared final line: "I am going to be quarantined."








Annotated eight-city cartographic installation under suspended magnifying lenses and saddle-stitched bilingual publications at 80WSE Gallery
paths.katudio.com (opens in new tab))To extend the exhibition beyond the gallery, I designed and engineered the companion web archive (paths.katudio.com (opens in new tab)), translating the physical tactile mechanics of the installation into the browser:




Interactive web archive at paths.katudio.com featuring real-time cursor magnifying loupe and bilingual narrative typography